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‘The Room’ is 10 Years Old, and It’s Still Gloriously Terrible

I loped down the theater steps, tailed by several friends, as a giant, pulsating mass of theatergoers shouted at decibel levels that, along with the adrenaline pumping through us, rendered the movie inaudible. As we reached the bottom, we spotted several other audience members scavenging a graveyard of plastic spoons, which had been thrown at the screen whenever a picture of a spoon appeared in a scene. As I stuffed precious ammunition into my pockets, heinous cries of “Spoon whore!” and “We don’t want your kind around here!” poured in from the front row. Everyone began beaming their spoons at us. We were showered with spoons. “Good, more ammo for me,” I thought greedily, and giggled maniacally. I couldn’t wipe the grin off my face. Never in my life have I been so happy to be called a spoon whore.

Tommy Wiseau

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There were plenty of potential movies for this 100th installment of Awfully Good—PLAN 9 FROM OUTER SPACE, MANOS: THE HANDS OF FATE, an Uwe Boll retrospective— but one film called out to me from the heavens…


The picture, a left coast midnight hit, didn’t start gaining national traction until it was featured as part of Adult Swim’s 2009 April Fool’s prank. If you want to gauge the pulse of the midnight movie scene, keep an eye on Tim Heidecker and Eric Wareheim of The Tim and Eric Awesome Show Great Job! These guys are championing this movement, which up to this point, I was pretty sure was dying animal but the sudden popularity of The Room has given the Midnight scene a little bit of life and now that Tim and Eric are out there championing the equally as insane horror picture, Birdemic, you can expect a little more movement in those circles.


“The Room” Musical?

Posted by admin under Reviews

Nathaniel Jones gives us the greatest musical experience since Les Miserables!

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Tommy Wiseau is a living legend.

His debut film “The Room” was first released in 2003 on Sunset Boulevard, at the Laemmle Sunset 5 Theater, advertised as a drama in the vein of Tennessee Wiliams’ work. Moviegoers responded positively. It was released on DVD in 2005, made its network premiere this year as the annual Adult Swim April Fool’s Day joke and just concluded a brief run at Ciné. With such a following, how can the film be anything but brilliant?

It is a brilliant film, but not in the way Wiseau intended.

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